The Gauvain tower.
Édouard Riou, from Ninety-three vol. 2, by Victor Hugo, London, New York, 1889.
(Source: archive.org)
She walked towards the tower.
Édouard Riou, from Ninety-three vol. 2, by Victor Hugo, London, New York, 1889.
(Source: archive.org)
View of Famagusta (Cyprus).
From Savonarola, by Adolf Glaser, Leipzig,
18001883.(Source: archive.org)
Margaret Armstrong, half title page from The legend of Sleepy Hollow, by Washington Irving, New York, 1899.
(Source: archive.org)
Powerscourt Waterfall.
T. Creswick, from Ireland picturesque and romantic, by Leitch Ritchie, London, 1837.
(Source: archive.org)
Niobe, from a picture by Solomon J. Solomon.
From The magazine of art, London, 1888.
(Source: archive.org)
The New World exhibition, at the foot of the Eiffel Tower.
From L’Exposition universelle de 1889 (The 1889 Paris world fair) vol. 3, by Émile Monod, Paris, 1890.
(Source: archive.org)
Front cover from L’Exposition universelle de 1889 (The 1889 Paris world fair) vol. 3, by Émile Monod, Paris, 1890.
(Source: archive.org)
So numberless were those bad angels seen,
Hovering on wing, under the cope of Hell.Gustave Doré, from Milton’s Paradise Lost, New York, 186?.
(Source: archive.org)
Indian Summer’s airs of balm.
Thomas Moran, from Mabel Martin: a harvest idyl, by John Greenleaf Whittier, Boston, 1876.
(Source: archive.org)
Thou art an enchantress too,
And wilt surely never spill
Blood of those whose eyes can kill.Robert Anning Bell, from Poems by John Keats, London, New York, 1897.
(Source: archive.org)
Mother of Hermes! And still youthful Maia!
Robert Anning Bell, from Poems by John Keats, London, New York, 1897.
(Source: archive.org)
(via pussylesqueer)